THE MARSH KING'S DAUGHTER
Elizabeth Chadwick
St Martin's Press
US release August 2000
ISBN# 0-312-26491-7
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If you've ever wondered what it was
like to live in the Medieval times in England you have
only to open the cover of any book
written by Elizabeth Chadwick. In true "Chadwick
style", "The Marsh King's Daughter" tells the
tale of love denied and human suppression, and the ultimate
triumphs of love and personal accomplishment. I believe that
Ms Chadwick's best known tale, "First Knight", only
lit the way in the path of her success. Each of the books that
have followed has only brightened the path in which she is heading.
"The Marsh King's Daughter" is no exception yet at
the same time exceptional.
Miriel Weaver is sent to St Catherine's by
orders of her stepfather. Her grandfather is dead and Nigel
is now in brutally charge. Miriel is the bastard daughter
of his wife's one night stand with a traveling minstrel, and
an unruly stepdaughter at that. Marrying Miriel to God will
get her out of his way and allow him to run the weaving business
as he sees fit. After six months at the priory though Miriel
is no closer to taking her vows as when she entered. It's
when a mysterious man is discovered in the marshes near the
priory that Miriel begins to plot her escape.
Captured at the aborted siege at Lincoln,
Nicholas de Caen is being held prisoner by the guards transporting
King John's regalia. While traveling across a reputed dangerous
marsh the tide comes in quickly and unexpectedly and the wagon
train cannot cross fast enough. The tide and quicksand are
quickly swallowing everything in its path. Nicholas realizes
that if he is to live that he must get to dry ground before
he is also taken by the sea and sand. It's the packhorse carrying
a chest of silver coins that nearly kills him as he struggles
to save the treasure he knows will help to rebuild his life.
Before he passes out on the marsh from exhaustion Nicholas
is able to hide the chest, vowing to return for it when he's
well.
Nicholas is shocked when he finds himself
in a priory being nursed by Miriel and has to force himself
to remember that this beauty has given herself to God. But
when he finally leaves the priory, at the behest of the Mother
Abbess in the wake of a scandal, he's not prepared to find
that Miriel has followed him to the hiding place of the treasure
chest. Miriel begs him to safely escort her as far as Nottingham
and he reluctantly agrees. But after their first night there
he realizes his mistake when he finds that she's disappeared
into the night after stealing several pouches silver and the
mysterious pearl studded crown once belonging to Empress Mathilda
that was hidden at the bottom of the chest.
Both Miriel and Nicholas make their lives
apart, starting over with the wealth from King John's silver
chest, but their paths are destined to cross. And when they
do, old feelings are rekindled, lust and anger, and new feelings
are born, love and trust.
Once again, Chadwick transcends the genre
with this extraordinary story. This is not a traditional romance
but a well thought out, exhaustively researched and intensely
involved literary masterpiece. Chadwick concocts believable
characters and puts them in a thoroughly observable setting,
gives them historical and fictional obstacles that bring them
around to as perfect a climax as could be written. The title
of the book, "The Marsh King's Daughter" is brilliantly
tied in through an analogy of one of Aesop's Fables of the
same name. The marsh where King John's treasure is lost essentially
brands him the King of the Marsh. Miriel, the daughter of
an environment she is born into, exemplifies the suppression
from some of the men in her life and her struggle to escape.
I searched high and low in this book to try
to find something that was off, something that didn't quite
click. I came away with only one thing that I feel very strongly
about. It is that this book is just not long enough! Even
at just over 400 pages and as gloriously complex as it is,
the pages of this book fairly flew through my fingers. As
I read "the end" on the last page I couldn't help
but scream, "I want more!" Whether you're a long
time fan of Elizabeth Chadwick's work, or a first time reader,
you'll be screaming the same thing at the end.