THE HIGHWAYMAN
Anne Kelleher
Jove Romance - Irish Eyes series
August 2001
ISBN# 0-515-13114-8
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Neville Fitzgerald, Lord of Clonmore,
has returned to Ireland to claim his title but he didn't
expect that his belated and estranged
father would
have gambled away the family fortune before his death. Without
means to support his aging mother Neville takes to the roads
as Gentleman Niall robbing the passengers of traveling coaches
as they travel across the Irish countryside. Beside him is his
trusted friend and personal assistant, John Harrington. Together
with a few chosen men, Gentleman Niall and Shane, Harrington's
alias, take from the rich and distribute the gains to the poor something
on the lines of a more modern day Robin Hood.
However, the law is on Gentleman Niall's heels
and he decides that one last haul is needed and then he'll
stop, but to make the plan come together he needs the land
that borders his own as it will allow him to travel more freely.
So Neville attends a local social gathering and engages the
landowner, Sir Oliver of Kilmara, in a game of cards. Ironically,
Neville wins the hand and the land, but doesn't count on a
wife coming with the deal!
Elizabeth Wentworth, only daughter to Sir
Oliver, is horrified to learn that her shiftless father has
gambled her heritage away in a game of cards, but more horrified
to learn that she is part of the deal. After a long trip from
England to Ireland and an even longer carriage ride to Kilmara,
the traveling coach is held up by highwaymen. These men are
ruffians, not at all the sort that she'd heard about in Gentleman
Niall. In fact, it's Gentleman Niall who comes to her rescue
when she's brutally kidnapped by the other gang. Elizabeth
is shocked to find on her wedding day that the man she about
to marry is Gentleman Niall! She's also shocked to find that
Neville also wears a mask by day because of a childhood injury
that left him dreadfully scarred.
Elizabeth appeals to Neville to give up his
escapades and try to have a normal marriage but he shuns her,
on her wedding day, and takes himself off to Clonmore Castle
to live by himself. Elizabeth is left alone with Kilmara and
mixed feelings over how she should feel about her marriage
and what would happen to her if it ever got out that her husband
was Gentleman Niall. It's in John Harrington that she finds
an ally. With the exception of the hold up of her carriage
and her wedding day she never sees her husband. All dealings
between the couple are done via Harrington. But when Neville
is shot trying to rescue the son of a local landowner that
Elizabeth finds herself sending untold amounts of time wither
husband, and builds the foundation of a marital relationship
with him. But will Neville stop his nighttime hold ups before
he gets himself killed?
Sir Anthony Adamms is the man the local magistrate
has engaged to flush out Gentleman Niall. It doesn't take
him long to discover who it is. It's getting the locals to
believe him that's another story.
What I dislike about books is when you can
figure everything out within the first chapter or two. Such
was the case with this book, and why I feel comfortable revealing
whom Gentleman Niall really is. It's because the author tells
us in the first page so there's no surprise there! This is
an indication of how the rest of the book would go. In a word,
it was predictable.
One thing that surprised me was that this
story was about Neville and Elizabeth and not John Harrington
and Elizabeth because he seemed to be the central male character
through about 2/3's of the story. Indeed, I got to page 150
of this 260 page book and Neville and Elizabeth had only been
in the company of each other about 3 times, and one of them
was during her rescue at the hold up on the way to Kilmara.
And with the exception of a couple romantic interludes, the
couple doesn't spend much time with each other to learning
more about the person they married. As a matter of fact, never
once did either say they loved the other, which I found completely
surprising.
Characters in general were not well fleshed
out. I found Neville to be the antithesis of what I was expecting
this romance hero to be. He was continually brooding, seemed
tied to his mother's apron strings and always sought out the
advice of Harrington for even simple matters. Elizabeth remained
a self-centered immature girl instead of the very adult and
aware woman she was meant to portray. Many times she remembered
the starving families living under the hedges around her own
estate saying what a shame it was they lived in squalor but
did nothing to help. Her greatest effort towards the Irish
was to send medicine to one of the distant villages, which
she had mixed herself like a well-schooled herb wife of Medieval
times.
Harrington's character seemed to be the best
developed, but that's probably because he was the leading
male role through the story. He was the image of a romance
hero strong yet gentle, charismatic yet honorable, determined
yet able to bend to suit each situation His heroine
would be the Irish serving girl Sorcha though their relationship
is only alluded to through the story until the end.
And Sir Anthony's character seemed to me to
be a mirror image of Police Inspector Javert from Les Miserable!
It was as if Anthony's character had been drawn exactly from
this other character, which also left nothing to the imagination
and lent a stronger feeling of disappointment in a story that
began with so much potential.
As this is an entry into the Irish Eyes series
I was very surprised to find that the only Irish in the book
was the location. The only Irish people were those briefly noticed
by Elizabeth to be living under hedges and in poverty, and those
that are getting killed by cross gunfire and those the law takes
away, specifically hedgemasters, those historical figures who
taught the Catholic religion and taught the native Irish language
in secrecy. As with most of the Irish Eyes books, the hero and
heroine are of the Anglo-Irish variety, plantation English gentry
who were given lands in Ireland and the rights to exploit the
Irish at their whim. Again, I would not fault this on the author
but the publisher. The lack of plot, weak characters and the
numerous occasions of unfinished business would be the fault
of the author, for which this story had plenty of. The lack
of anything "quality Irish" falls solely on the heads
of the publisher.